And what became the first part of “Dance on a Volcano” came out of that. And we came to the studio and we just started improvising. Tony: “Dance on a Volcano” started off on day one, when Mike, Phil and I were there because Steve was finishing off his solo album. So even though it’s not my personal favorite track off the impeccable A Trick of the Tail, I still think it’s a masterpiece in that respect, and well deserves the adoration it gets among fans. Though the music was written first, it seems the lyrics were penned not with a mind of “What do I want this song to say?” but rather “What is this song already saying?” It’s a fantastic example of letting the music speak for itself, despite the fact that there are words all over it. Well, “Dance on a Volcano” is probably one of the best marriages to lyric and music I’ve ever seen. But it’s an arbitrary thing, and if you replaced all the lyrics the song would mean something totally different, and it wouldn’t necessarily be worse. Often times lyrics represent music only through proximity: these are the lyrics to this song, so therefore this music is about these lyrics. But no! It’s a breather cut short as the caldera bursts forth anew and the desperate dance picks up once more until it finally manages to rest in the end. Then the music calms down, and it’s safety at last.
There’s the guitar spitting little bursts of lava after the line “Blazing hot, the molten rock spills out over the land.” And then of course the utterly frantic ending instrumental section following the ominous “Let the dance begin” line, where we can envision the singer leaping from one sliding rock to another, trying desperately to make it across in time. There’s the steeling of resolve, represented by Tony’s big chords after each “You better start doing it right” lyric. Instead, the titular “dance” is really just trying not to fall into lava while trying to cross an erupting volcano, and everything about the song’s music is built to serve that image. I think he found some of the songs like “Dance on a Volcano” not that easy: there was a fill in the middle which had to be played in 7, and you could see Bill’s mouth counting it all out. He has to think about things, he has to count things as well. This gave Trick of the Tail Tour drummer Bill Bruford fits, according to Tony: The song is mostly in seven, which is to say seven beats per measure instead of the usual four. Which I guess makes its inclusion on that We Can’t Dance Tour that much more appropriate. So it’s a little ironic that with the guys delivering on the “volcano” part of the title so quickly, the song isn’t actually one you can “dance” to.
It’s such a strong way to open that the band used “Dance on a Volcano” to kick off the “Old Medley” 16 years later on the We Can’t Dance Tour, playing multiple verses before transitioning away. Even moreso when those words don’t even come until after an intro featuring searing guitars, booming bass pedals, and cymbal hits that sizzle like objects falling into burning lava.
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